Female self portrait painter8/30/2023 ![]() There are, in this latter category, enigmatic canvases, like the Van Dyck’s famous self-portrait 9, or Courbet’s Atelier du peintre, which is an allegorical depiction of the painter’s life, entourage and work 10. Some self-portraits must therefore only be seen as allegorical representations of painting, or as idealised or metaphorical illustrations of what painting meant to the artist. ![]() These declamatory self-portraits often contain utterly unrealistic depictions of painting: while artists tended to depict themselves at their easel or palette in hand, it was frequently either in attire not particularly suited to the action of painting in the real world, or surrounded by objects depicted there only for symbolic significance. Certain aesthetic loyalties could be proclaimed via self-portrait, for example when one adopted in his/her painting a motif (or a pose, an expression, etc.) known to refer to another artist whose follower he/she thus claimed to be 8.
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